Indus Editions
Hand‑loomed silk and Pima drape, tailored in our Korangi atelier for soft volume and editorial movement.
From the cotton corridors of Punjab to the spinning halls of Karachi, RIVER VALE engineers fibre, knits jackets, weaves carpet yarn and tailors women's editions for clients across thirty‑eight markets — under one disciplined roof.
RIVER VALE began as a single ginning shed in Multan in 1994. Three decades later, we run a vertically integrated programme that takes raw Punjabi cotton through carding, spinning, dyeing, weaving, cutting and finishing — and ships it out as women's wear, technical jackets, hand‑tufted carpet yarn and fibre‑to‑yarn private labels.
Our customers are studios in Milan, sourcing offices in New York, atelier programmes in Tokyo, contract carpet brands in Frankfurt and quiet‑luxury labels in Copenhagen. We don't shout. We deliver.
Our women's programme runs across woven, knit and embellished. Each edition is designed in‑house, sampled in our Korangi atelier, and produced under a single shop‑floor manager for traceability from sketch to seal.
Hand‑loomed silk and Pima drape, tailored in our Korangi atelier for soft volume and editorial movement.
Linen suiting, oversized poplin and salt‑washed cottons. Built for the resort calendar.
Hand‑embroidered evening, zardozi and tilla on French chantilly. Made‑to‑programme, never stocked.
Everyday cotton: jersey tees, soft denim and an unfussy trouser block customers re‑order seasonally.
Fully‑fashioned knitwear in mulberry silk, merino and recycled cashmere blends. Whole‑garment finishing.
Bias‑cut occasion: viscose georgette, organza and crepe‑back satin in twenty‑four house dye lots.
We build technical and casual outerwear for Northern European, North American and East Asian wardrobes from a single climate‑controlled jacket hall in S.I.T.E. Karachi. Down, synthetic insulation, recycled shell, wax cotton and washed leather — all under one cutting room.
Vegetable‑tanned lamb leather, heritage moto cut, Riri zip hardware.
Garment‑dyed wax cotton, corduroy collar, bellow pockets, brass snap front.
3L recycled nylon shell, 10K/10K membrane, fully taped, helmet‑compatible hood.
800 fill RDS down, baffle box construction, recycled ripstop shell, hidden snap storm flap.
Our carpet yarn programme runs three independent extrusion lines, two heat‑set chambers and a four‑ply cabling station — outputting bulked continuous filament (BCF) and spun yarn that ends up under hotel feet from Reykjavík to Riyadh.
Type 6 BCF nylon, solution dyed, spec'd for hospitality and high‑traffic contract carpet.
Polyester BCF, frieze and cable twist, Suessen heat‑set for memory retention under load.
80/20 New Zealand wool / nylon spun, woollen system, ideal for high‑end residential and Axminster.
Custom hand‑tufting yarn programme: bespoke colour development, low‑MOQ design‑led runs.
Our fibre‑to‑yarn programme is the quiet engine room of the house. We buy raw cotton at the Multan auction, blend it under climate control, and walk it through five disciplines until it leaves the floor as a numbered, tested, traceable cone.
Daily cotton lot inspections at Multan and Sahiwal mandis. Micronaire, staple length and trash content are scored before bales enter the laydown.
High‑production Trützschler cards convert lap into sliver. Comber noils target Pima quality outputs for our women's wear blends.
Roving runs into Rieter G37 ring frames, with compact spinning attachments on 60% of spindles for low‑hairiness, high‑evenness yarn.
Murata 21C autoconers with Uster Quantum 4 yarn clearers cut every imperfection above the spec, splice it, and re‑tension before pack.
Yarn is conditioned in Xorella steamers to lock in moisture regain, then sealed by the lab against the buyer's spec sheet before it is shrink‑wrapped for export.
Every greige roll, every cone of yarn, every cut bundle is tested against an internal spec sheet that exceeds buyer tolerances by an average of 18%. Our lab is independently audited twice a year.
Uster Tester 6, Tensorapid, Zweigle hairiness, AATCC colour fastness — every shift, every count, twice a day.
Every shipped roll is visually inspected on a calibrated 4‑point system under D65 light, with photographs of any flag.
OEKO‑TEX® STANDARD 100, GOTS, GRS, BCI member, RDS for down, Sedex SMETA 4‑pillar.
Datacolor 850 spectrophotometer, Pantone TPG/TPX library, lab‑dip turn around inside 7 working days.
A fibre is a promise. A weave is a translation. A finish is the difference between a shirt and a memory. Below, the families we keep on the floor — and the handwork we still do, by hand, because no machine has improved on it.
Long‑staple cotton grown in our Sahiwal contract corridor — a 38mm staple that combs cleanly and holds dye like a memory.
Cotton · 38mm22 momme charmeuse and 16 momme habotai, dyed in‑house in our low‑water reactive bath.
Silk · 16–22mm17.5 micron merino, sourced through Australian wool exchange, spun and finished into our knitwear book.
Wool · 17.5µGRS‑certified rPET from PET flake to filament, with full chain of custody documentation per shipment.
rPET · GRSA 200‑person hand‑embroidery floor maintained on a fair wage. Heritage zardozi, French knot, mukaish — all hand‑done, signed off by craft master.
Hand · 200 artisansSialkot‑tanned lamb leather, vegetable retanned, finished in three weights for outerwear and accessories.
Leather · 0.7–1.1mmA live cross‑section of what's currently being cut, knit, woven, dyed and packed across our facilities — with no retouching, no studio lighting, just light from the hall.
We work direct with brand teams, sourcing offices, contract carpet specifiers and studios. Tell us what you need to make — we'll come back inside one working day with samples, a costing window and a realistic lead time.